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In the cool Spring, New York, the Italian Art Museum of Art – a white, modern building in view of the green pastures of Putton County – there is an entire room dedicated to the work of artist Piro Gilladi. A.D. Guillerdi’s work, which saw the rise of Italian artists in the 1960s and ’70s, and the rise of Italian artists to extremism, focused on what he said. Carpet-nature, Or “natural carpets. “Carpets” are, in fact, 3D scenes of various natural scenes. A.D. Natural carpets were laid on the floor of a non-profit museum founded in 2017 by Nancy Olinnik and Georgia Spain, and underwent significant renovations by 2020, but they are also painted on the walls, like sunflower paintings. Garden fields and shrubs.
This room is one of the largest in the museum, covering acres and with a large garden, as well as a barn for Sardinia donkeys living in the museum. And inside, there are two pieces in the corner that express the feelings of Guillardi fashion. Birch nature clothingA set of life-size birch trunks wrapped in the same polyurethane material as a skirt with a chain around the center of the manicure and Natura Sassi Dress, Soft stones affixed to a net dress. The artist once urged the audience to take a walk on the carpet, sit on it, and dress like a costume. Now the director of the casino, Vittorio Calabras, told me in a recent interview from the museum’s offices in New York City that those pieces are too weak to try or meet in person. But this free-to-art approach to art was one of the hallmarks of Arte Poverra’s artists, including Aligro Botti, Gilberto Zorio and Giovanni Anselmo.
A.D. In 1967, Gilardi showed off her two pieces of fashion, with a watermelon-like third, at a nightclub called Piper Club in his hometown of Turin, where Arte Poverra grew up. It is not uncommon today to show art or fashion in a club, but at the time, removing art from a museum was a revolutionary and unique political act. “This was very important, for Guillardi to really go to people,” Calabrese says. In addition, they feel that the designs are particularly modern in light of the Surrealist trend that is sweeping fashion houses such as Shiaparelli and Loewe.
Gilardi, however, did not accept his works as fashion; There were parts of true wisdom. “These concepts were applied to what you could wear,” said Calabras. “And they all woke up to a special performance at the Piper Club with dancers, and his other works hung on the walls of the club.
Magazine plans to re-launch the live stream of the two works in October – other museums in the UK, including Nottingham Contemporary. The museum is working with Guillerdi, now 80 years old and based in Italy but once a New York City artist, living outside the Chelsea Hotel and co-starring in a number of Andy Warhol films. “Gilardi dreamed in 1966,” says Calabras. “I could see all of his work under one roof, and they were warming up to each other. And we realized our dream. The director added that he was “delighted” when representatives of the casino approached the artist for an opportunity to showcase the artist’s carpet, murals and fashion elements.
“The whole work is based on social participation and movement.
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