Sports Radio, Part 2 — Manufacturers update consoles.

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Mark core models with native IP, enhanced DSP, customizable workflows

Radio sports broadcasts have their own unique requirements, and manufacturers ensure that their broadcast-audio consoles meet these needs. Here are a few of the top models.

Axia Quasar SR distribution console

as a body Telos AllianceLivewire+ AES67 environment, Quasar SR Axia’s best-selling Fusion console is a direct replacement and is comparable to the Fusion console in both price and feature set. The feature set is actually superior to the Fusion: the DSP is better quality and the channel mixing capacity is higher – thanks to the DSP engine, which is the same as Axia’s flagship Quasar XR. Its ergonomics and customization capabilities are superior to the Fusion. The Quasar XR console offers all the power, ergonomics and industrial design. The Quasar SR uses the same frame, power supply, and main module as the Quasar XR, but the fader modules are non-motorized. There are smaller, larger, and more accessible buttons on each channel strip. And the control page does not provide layers.

Calrec type R hybrid system

of Calrec type R A modular, expandable, IP-based audio console that deploys standard networking technology and combines it with soft panels that can be customized to the operator’s needs. Type R physical control system includes three slimline panels: a fader panel, as well as a large and small soft panel. Each is compatible with COTS hardware and powered over Ethernet to keep cabling to a minimum. Type R has a lightweight 2RU core with integrated I/O resources to get clients up and running right away. A single core can power up to three independent mixing environments with DSP resources. Used as a stand-alone studio console, microphone processor or utility mixer, the ability to use multiple mixing engines combined with the flexibility of AES67-compatible networking provides enough flexibility to keep up with changing requirements. Type R offers easy customization over established networks, control protocols and interface personalization. With a native-IP backbone, it provides the infrastructure for future expansion.

Lao diamond module distribution console

theirs Diamond It’s the company’s next-generation AoIP broadcast console, with highly customizable workflows, dual-layer operation and optional virtual extension touch-screen modules that display context-sensitive information: volume, EQ, compression, DSP functions, routing settings. Its compact, high-density modular design is great for radio, TV and MCR applications – self-op studios, remote studios, remote production vans – with up to 60 physical and 120 virtual faders. Diamond’s software-specific, ultra-compact 1RU PowerCore engine can handle hundreds of RAVENNA, MADI, Dante, AES3 and analog signals and can power up to four independent Diamond consoles using the MAX license package.

SSL System T and Network IO distribution platform

Configuring and controlling I/O, software and hardware distributed across network devices and computers; SSL System T And the Network IO distribution platform provides flexibility, scalability and interoperability for radio and broadcast. Direct from console AoIP control of Dante, AES67 and ST 2110-30 routing provides unlimited audio matrix, connection management and audio switching for true AoIP interoperability. Any AoIP input or output is immediately accessible to the console operator. System T’s programmable event software provides custom macros and controls for easy operation and integration. Eight built-in independent Automix groups complement the entire process on all channels and buses. A full board effects rack includes processing, measurement and calibration tools. Multiple remote control points on a LAN or VPN provide independent controls for collaboration, remote or decentralized work.

Evertz Studer Micro Series Digital Mixing Console

Evertz provides Studer micro series For small production. MicroCore, the heart of the system, offers the functionality of a high-end digital mixing console with a feature-rich set of tools for many mixing needs in a compact and cost-effective package, an ideal solution for radio- and TV broadcast production, ENG/DSNG, remote production and more. Graphical user interface control is built directly into MicroCore, but can be controlled remotely with any HTML5 browser. For added versatility, two PoE networked micro fader units can be connected. In addition to standard XLRs for analog and AES digital I/O, the Micro features Studer’s HQ Mic preamplifiers, Dante I/O connectivity and a USB track player/recorder with an easy-to-use radio automation system as standard.

Wheatstone LXE

wheat stone LXE The control surface is particularly well-suited for sports filming. It’s the console of choice, for example, for the Huskers Radio Network in Nebraska and WZ-FM Boston (98.5 The Sports Hub). The latter will use the LXE console floor to cover more than 20 Patriots games, 82 Celtics games and 82 Bruins games from the new studios in Boston. Every switch, button and OLED display on the LXE can be reprogrammed to match the game or process. Controllers can be custom scripted to perform any functions that can handle the existing WheatNet-IP infrastructure in the facility. For example, faders 1 to 12 can be active on the physical control surface, while faders 13 to 24 are active on the virtual LXE in the sports area, both cases contributing to the same program result. The right mix-down also immediately follows the right source – in the hall, in the booth, or through the link – with the appropriate GPIO logic to trigger the microphone or breaks. Links to those sources will follow. LXE, WheatNet-IP audio networked console surface is available in different sizes and shapes and also in virtual format, so the control surface can be operated on touch screen.

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