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Marc Jacobs’ Garden Party, a New York Fashion Week extravaganza celebrating the designer’s affordable cool-kid line, felt a bit ironic to the online, laser-flooded Claw convention. Really popular. Local Choice, Bushwick’s semi-mammoth flagship nightclub, was a riot of genius.
In the year Launched in 2020 by Jacobs, Heaven is a 90s kid’s polysexual line: oversized sweaters with a whimsical daisy pattern; Hip-hugger Cargo Mini Dress Etc. The new collection’s campaign features moving ensembles featuring Doja Cat, Charli XCX and Pamela Anderson, who look right at home in Crazy Town’s “Butterfly” video.
On Saturday night, the mood was immediately apparent: a tall boy in his early 20s was shouting to everyone in earshot that he was on the list. Later he said he was DJing and Mark texted him, saying he could check in personally. The doormen did not move. “They let me in,” said another girl, shoving her phone in her friend’s face. “I have 20k followers on Instagram!”
Opener Yaeji fired up the crowd with a short set of cuts. Charli XCX, the Madonna of Bushwick, took the stage in giant orange and black hair to belt out “Vroom Vroom” and “Boys” before belting out her biggest hits from garage revivalist Pink Panthers.
Then things started to go off the rails. As the crowd packed with beautiful influencers grew increasingly drunk, Doja Cat’s stage time turned into chaos as soon as it began. “I wish I could do a Twitter poll and give everybody what they want,” she lamented, adding that she hadn’t practiced in months. Locked in the VIP booth, Charli XCX looked quietly nervous.
Marc Jacobs ‘Paradise’ event. l to r: Charli XCX, Doja Cat, PinkPantheress
Lexie Moreland/WWD via Getty Images
Between several starts and stops, Doja played classic tracks like “Pretty Rave Girl” and apologized repeatedly, but finally pulled it off: “You wanna do ‘Get in it (Yuh)’ and get the fuck out of here?” The crowd cheered.
All bets were off when Canadian phenomenon Kaytranada stepped behind the turnstiles: a white-tailed weasel named Tang Boom rushed the stage twice and had to be held in a corner by guards.
Amid the confusion, the night had a clear high point: “Welcome to New York!” shouted English transplant Pinkpantheres as “Just for Me” began to play. I love Taylor Swift.
Sergio Hudson
Sergio Hudson’s latest collection has dropped in his third year at New York Fashion Week, and in that short time Hudson’s bold sensibilities of billowing jumpsuits and CEO-appropriate belted trench coats have caught the eye of Michelle Obama. Kendall Jenner likewise. Hudson’s latest collection is an exercise in ’80s supermodel bombshells, from camp olive green miniskirts to super-snuggled dresses.
The designer was clearly inspired by powerwear: sharp shoulder padding, prominent lapels and subtly flared pants in jewel-toned colors looked equally appropriate on an array of Ashley Darby, cast member of The Real Housewives of Potomac. Being in the audience or lining up to take our seats on the dozens of anatomically perfect TikTok “creators” who were performing on the animation network. Helen Holmes
Theo Wargo/Getty Images for NYFW: The Shows
Personal policy
A personal policy offers so many things to so many different groups of people. The brand is shifting their focus to gender fluidity, which is evidenced by hoodies and t-shirt images that easily translate to men, women, or non-binary models. This season, they also featured plus size models on their runways. Their commitment to gender fluidity couldn’t be better evidenced than in the post-runway finale performance of “RuPaul’s Drag Race Thailand” with star Pangina Cure. It was a runway show with a little something for everyone. Christopher Fraser
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