Decentralization of Touchable Fashion in Symposium – WWD

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Can fashion exist anywhere?

This will be a key question as a group of researchers, academics and practitioners gather at the Oslo Symposium to discuss whether small fashion ecosystems can exist beyond fashion capital. The event is being led by two artistic forces in Oslo.

With Norway’s new National Museum of Art, Architecture and Design well under way and the International Fashion Research Library set to officially open at the end of November, the two cultural institutions are working together on multiple fronts.

In conjunction with this, the “Decentralization of Fashion” symposium will be held on Friday and Saturday. Fashion Research Symposium 2022 will include fashion research, knowledge sharing and critical discourse. From the research project “Norwegian Fashion; Cultural Production and Aesthetic Mediation Practices” by Synne Skjulstad, Associate Professor at Hoyskolen Christiania.

In honor of the opening of the new National Museum last June, there is a greater focus on modern fashion, with the appointment of Hane Eid as curator of modern fashion. At nearly 54,000 square feet, the avant-garde museum in Oslo is attracting design-minded people with 400,000-plus objects, such as Kleihus + Schuwerk’s monumental architecture. The museum and international fashion research library are located on Oslo’s waterfront near the Nobel Peace Center. The two cultural centers have formed an institutional partnership some time ago to strengthen their common mission to “put Norway on the map for contemporary fashion research,” according to Elise Olsen, director of the International Fashion Library, by email.

All 170 seats were reserved for students, industry professionals, fashion enthusiasts and others at the free symposium. Officials such as Kat Debo, director of MoMu Antwerp; Ida Falk Oyen, Associate Professor at the Oslo Academy of the Arts; Véronique Pouillard, professor of modern international history at the University of Oslo, and Jeppe Ujelvig, editor-in-chief of Viscos journal, critic and theorist and editor, will speak.

They explore how artistic autonomy, professional identity, and the concept of fashion are intertwined into broader fashion cultures and the industry as a whole. The symposium highlights artistic value as a key force, particularly in relation to centralized economic power in the fashion industry. Participants will reflect on questions such as how places outside of fashion capitals can be central to the development of art and creativity.

In connection with this



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