The fashion glass was broken

Paris – ”Euphoria’s I found nothing in this script. ” Young lovers chase after a cow, fleeing Badland in the United States, with vigilantes? Probably… OK, Badlands. Or Natural-born killers. Or Bonnie and Clyde. “All the films that have influenced me and made me who I am today have inspired me,” says Galliano. You have to wake up A road car with the name Desire And Suddenly, last winter Enter the mix to complete the designer’s drawing. Because this is what he was doing before our very eyes.

In collaboration with the British Theater Company, Galliano, at the same time, produced and screened the film Cinema Inferno, starring 59 male and female models. The narrative was thick.That is to say. it was Euphoria Moment!), Killing my mother and father, and then fleeing, before being shot dead by their persecutors in an old cinema, this time they passed this cruel world to the magical world of the film. Blanche Dubois arrives as a guardian angel. Suddenly counting and Hen back in their car, driving through the Badlands again, in an eternal, cleansing cycle. And all this in 29 minutes in Pel-Mail.

The skeleton, however, reminded Lars von Trier of the stimulus Dougville. One member of the audience mentioned Ivo van Hove, while the other director had the ability to build strong narratives around empty theater bones. But fairy tales are the leader of the whole Galliano collection. He always has a thread around the character, and where clothes and personalities are in a very close union, Haute couture is his ideal fashion media.

This was the first time the designer had been physically active in three years, and this was the key to his love of making films for the collection during the lockout. But he was able to combine the two processes. “99 camera angles!” The designer was surprised.

How did he compete in the 1998 Dior couture show at the Opera Garner? “There is no comparison to what I did then. You can’t think because you are dealing not only with the collection but also with the appearance of the film. ”

59 characters, 59 looks, a very tedious Galliano that says that one person is compiling it all in an encyclopedia. Like a “sand storm.” Spectacular cowboys flocked in a jacquard, dusted with beads per minute as if they had come out of a desert storm. Or “Risila. Here three feet to a tab-toe pump were reused. (Amazing example, he married Vivier, Lacrox, and VSL.) The prom dresses were also one in three, creating an unmistakable trapeze line. For Anna Cleveland’s dress, the red Atelier Dinale copied Yardle’s long-cut lipstick coral, which Galliano had been worried about since he raised Faiye Dunaway and continued to paint her lips with his favorite tube from the coral she had placed in Ziplock. In her purse. The cloak worn by the county’s father was worn in the 18th-century kimono. His shoes were made of fluorescent classic police boots, but with a shiny narrow finish. Nurse Rally – Valletta! Elson! Trentini! – In Duchess Satin, you are wearing a hospital-clean-cap-pot coat. The top of the fabric spectrum is made of a black bean bag made of plastic, stretched and hand-rolled.

The spirit of destruction was as strong as ever. Galliano: “I like the feeling of refocusing. “Like me, mocking is very important.” In the upcoming encyclopedia, there may be a category of “inappropriate.” Perhaps there is a time when Galliano needs perfection. “How dare I even go there?” He mocked himself. He prefers to accept the beauty of imperfect humans. “It’s easier now because I’m a little bit on the ground, this time a little more.” And Maison Margiela provides the right environment for such self-expression.

if so Cinema inferno Galliano points out that there is a seam in the story. “The biographical issues I have encountered in my life, the circumstances with my family, the many problems of raising homosexuality.” He described the theme of the story as “abuse of power” – an abusive father, a surgeon who plays God, a judge who judges, a corrupt sheriff. According to Galliano himself, he felt that it was inappropriate to cover the eclipse with visions. The fashion mirror is cracked from side to side.

The day after John Galliano unveiled the 18th-century kimono in one of the couch caps, designer Kim Jones said something similar. This is not the first time they have the same wavelength. Galliano bought half of St. John’s graduate class from Central St. Martins. And Jones has been inspired by the Galliano Dior years for his Dior Men collection.

The latest collection of kimono silk for Fendi, based on gowns from Landside Turtle with designs from the 1700s. Jones was allowed to return to Japan in March, arriving in Kyoto, where he found pieces of ancient kimono. The first thing he did was take them to the company – the same family was still leading them – and he made the clothes grow. “I wanted a dialogue between ancient and powerful cities between Kyoto and Rome,” Jones said. “I was looking at something I loved. The artwork, the techniques in the world of Hawthorn and the hand-painted kimono silk seemed to be a very important fabric.”

The other will definitely be Vikuna. Jones called it “the cloth of kings.” He used Vicunan as a sticker and sweater, in a double-breasted panties or sweater dress, in a collection that extends the beauty of the past. The dress, however, has a necklace depicting the explosion of thousands of diamond stars. He introduced the first collection of Delphina deltet Fendi to the house. In the center of the piece was a large yellow diamond. “The inside is 30 percent orange,” said Delphina. “As the sun sets,”

Fashion glass cracked again on the siphon skirts for broken glass effect. Return to Carl Lagerfeld Spring 2000 for Fendi Collection, a big breakthrough at the time. Jones has been out of action for the past season. This time, with a desire for simple shapes, it was filled with amazing fabric effects like canvas. The T-shirt and the tank were very light. It also looked like an inverted polo, floor length. All with beautiful workmanship and shiny overlays.

Another thing that Jones shares with Galliano is his ability to compose a variety of narratives. Just two weeks ago, he showed his love for Bloomsbury for the Dior Men collection. This Fendi collection felt equally important, but this time Italy was reflected in its simplicity – or relaxed simplicity – in clothing. “For today,” says Sylvia Venturini Fendi. She is relieved to have found Jones in Fendi and relieved her anxiety. The final look – Anok Yay in a better Tul T-shirt, embroidered with natural emblems – shows why.