[ad_1]
When Japanese fashion designer Issey Miyake died on August 5 in Tokyo, the fashion community paid tribute to the life of an artist who brought thought and beauty to a world of turmoil and destruction.
In the books of his life there is a wonderful cultural and political poetry to world government.
Embedding from Getty Images
Miyake, a 7-year-old boy born in Hiroshima, watched as the city was engulfed by the atomic disaster. In his final days of fighting liver cancer, the sweltering August heat brought out the whispers of nuclear weapons in the ongoing Russo-Ukrainian conflict. Between living in and out of a chaotic global environment, Miyake’s work is defined by his opposition to war and inhumanity.
Miyake’s original inspiration for design came from his dream of becoming a professional dancer and his sister’s fashion magazines. He completed formal training in graphic design at Tama University in Tokyo and simultaneously submitted entries to Bunka Fashion College.
Ambitious but ambitious, Miyake realized his insufficient tailoring and pattern making skills and sought to improve them in Paris. In the fashion capital of the world, the budding designer entered the holy grail of tailoring, the Ecole de la Chambre Syndicale de la Couture Parisien. He followed his lessons in practice at key arteillers and was mentored by household names such as Guy Laroche, Hubert de Givenchy and Geoffrey Bain, who later inspired him to start his own label.
The independent Miyake Design Studio opened in Tokyo in 1973. In the 80s, Miyake’s collections were able to attract attention in conjunction with other Japanese wave designers. This artistic movement includes the likes of avant-garde Comme des Garçons’ Rei Kawakubo.
Embedding from Getty Images
Many of the boldly colored and patterned creations are often compared to origami shapes. By the time he produced the “Plates Please” collection, he was known as the “King of Plates.” This title laid the groundwork for his recognition as the first recipient of the Kyoto Prize for Lifetime Achievement in Arts and Philosophy.
Miyake’s biggest experiment is in the technology called “A Piece of Cloth”, where textiles are created from a single thread. These garments – often built with a focus on movement and humanity – are constructed using computer-generated prints and early inspirations in industrial knitwear. The fluid nature of fabric movement offers a metaphorical connection to freedom in the human condition.
The designer’s other notable achievements include Steve Jobs’ signature black mock turtleneck and his international bestseller L’Eau d’Issey. The former strengthened its status as an international facilitator and close to partner with visionaries. The latter popularized oceanic fragrances and epitomized Miyake’s focus on nature’s purpose.
Judging by his journey in the fashion industry, it should be noted that Miyake’s feeling of being an artistic outcast in Japan and a foreigner in the West gave him the opportunity to carve out his own style.
Miyake was a vital part of the artistic foundation for rebuilding Japan’s modern identity as a pioneer of design and technology, combining the idiosyncratic sensibilities of traditional Japan with the liberalism of the West. The designer manages to combine a new strength to explore the destruction and construction of the earth, creating the prospect of a fusion between East and West.
[ad_2]
Source link
