Proenza Schouler lights up the waterworks at NY Fashion Week.

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NEW YORK – Waterfalls cascade down the marble walls of the magnificent early 20th century Beaux-Arts building where Proenza Schouler showed her latest collections at New York Fashion Week.

To be clear, the water wasn’t actually wet, but built into the video installations. Still, the soothing cascades make a big impression on the clothes on Friday’s runway shows—especially the slides that pull on the bulk or flow down the back of the dress or “drip” over long sleeves.

In the Hall des Lumières exhibition space, set in the former Immigrant Industrial Savings Bank building (an early example of the New York building’s Beaux-arts style), designers Lázaro Hernandez and Jack McCullough presented a collection they said was their personal blend. Stories – In their own words, “The passionate and fiery qualities of Lazaro’s Latin roots combine with the pragmatism of Jack’s American experience. Water, the dual, is chosen as the symbol of life.

Different from what the designers have to offer, the collection features two-piece dresses with stretchy, ruched skirts and ruched bodices. Later there was an ensemble with a shimmering gold ruffled sleeveless and sheer skirt.

Hernandez said backstage that the two found this amazing hand-weaver community in Bolivia, where he spent six months working on a set.

In conceiving the show, McCullough said the duo started with a series of images. The idea of ​​water is expressed in the sense of dripping – for example, a pair of frilled bell-bottom trousers or a ruffled black leather dress. Apart from curvy looks, lace dresses add another distinct look.

The designers, who met as students at Parsons School of Design, named their fashion label after both their mothers’ maiden names. They often base their collections on the themes of contemporary art or culture.

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