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Cone-breasted teddy and grandma’s undying support: The iconic designer left an all-singing, all-dancing legacy in a spell-binding stage show at Fashion Freak Show.
With the most amazing trends and fast fashion shaking in the high streets, when it comes to the idea of a fashion icon, rich in creative humor and not afraid to push the limits of convention, it is impossible to say that they stand out among them. The people. An unparalleled example of Jean-Paul Gaultier’s mastery and skill. With humble beginnings in the suburbs of Paris, Gaultier, aided by an unwaveringly supportive grandfather, sported a childhood teddy bear, and nurtured a love of painting and a fascination with cone brows long before Madonna lifted the refined design from Maverick. icon status on her Yellow wish After paving the way for a punk and gender-fluid aesthetic on the runway, Toure took the knowledge he gleaned from houses like Esterel and Jean Patou and left his unmistakable stamp, quickly becoming the poster child for avant-garde dressing. One of the most respected designers in history.
As mentioned above, it is almost impossible to do justice to a rich history with so many captivating stories. So, to pay tribute to a man based on his visual and physical presence, naturally, there’s only one way to visit his legacy in the modern age: an all-singing, all-dancing stage show.
A magical affair I kept secret when I took it to Camden Roundhouse for the opening night of its 52-performance-long run in the British capital in August, Gaultier by Game Name. Fashion freak show It’s not what he misses. A show worthy of the name, creative and sexual restrictions are left at the door of the theater, combined bodies, aerial acrobatics and, of course, recreations of the designer’s most famous runways, all the singers and actors celebrating the diversity, as they fill the stage and rise to the leadership of the fashion world. But while it may be a fantastic feast for the senses, that doesn’t mean the main part of the show doesn’t lead the way. From the cameo of a tribute from Gaultier’s grandfather to the moment he reveals the tragic death of his partner Francis Munnoj, the picture-bomb’s appeal is a true reflection of the man he’s centered around, but it’s clear. Also for his abundant heart and soul. And, as the man himself sat in the audience on the show’s first night, I wondered what it would feel like to watch a man’s joyous peaks and unimaginable ups and downs play out before your eyes, except to glimpse back at him.
Taking time to cure my curiosity, Jean-Paul Gaultier sat down with Wonderland to talk about the inspiring nature of London’s creative freedom, the birth of Fashion freak show and the soon-to-be-released fragrance Les Parfums. Watch below to enjoy our conversation with Jean-Paul Gaultier…
I’ve heard them mention the ‘London Way’ and its ability to allow for creative freedom, especially when it comes to dressing. What do you think about the city to do this?
I first discovered creative freedom at Pierre Cardin. I started working for him on my 18th birthday. He was a free man and always did what he wanted creatively. It taught me the value of freedom. When he wanted me to do something, he would tell me not to stop there but to design a piece of furniture with the same idea. I find it interesting that you can do whatever you want and not have to stick to what is said to be the norm. When I went to other houses in Paris, Esterel and Jean Patou, I found the atmosphere very crowded and crowded, and that’s when I discovered London. There was still a retro feel with the fabulous shop biba. There were curvy girls who weren’t afraid to flaunt it in tight dresses. Shortly after that, punk was in the air. I saw Rocky Horror Show in Kings Road before the movie. And then, I was very influenced by the punk movement. I would escape to London every weekend and it was like a breath of fresh air. I thought about moving but my job was in Paris and I couldn’t leave it.
I have to take a moment to talk to you about the iconic final couture show! What a show it was! How did the event’s vision come true?
Even though I’m retired from fashion, I didn’t want it to be sad in any way, I wanted it to be a celebration of my 50 years in fashion and I wanted it to be at the Chatelet Theater where I was. I saw my first game when I was six years old with my grandfather. From the 70’s to the 80’s I invited models, actors, ballet dancers, Boy George and Kathryn Ringer – friends I’ve worked with over the years as models. The models, over 200 of them all were a delightful mess and I surprised myself by relaxing and enjoying them all. The idea was to say goodbye to fashion and show how much I love it and how happy I am to have been a part of it for so many years.
I can imagine that your life has changed quite a bit since you left home! When did you know it was time to leave?
I’m retired from fashion, but not retired. I have a lot of new projects at the moment, sometimes I feel like I’ve done more than before. But at some point, I felt that fashion had changed and I was struggling to find the freedom I had earlier in my career. It’s become a race between the big teams, marketing and advertising, and that doesn’t really appeal to me. Also, I felt it was time to leave my place to the younger generations. That is why my name continues in haute couture in collaboration with the next designers. That idea was a long time ago, in the early 90s when Christian Lacroix left Jean Patou to found his own house. For that time, I suggested that the Patu owners have a different designer every season, like Mugler, Alaia and myself from the younger generation. That never happened, but thirty years later, my idea has finally come to fruition and three designers have already staged couture shows under my name.
While you may be out of the house, that doesn’t mean you’ve stopped channeling your creativity into projects, most notably in 2011. Fashion freak show. Let’s discuss how this game came to be! What inspired you to appear on such a show? What can viewers expect?
Before I saw the movie Falbalas I was inspired to work in fashion by Jack Baker and to be the courier as the main character in the film, I saw the premiere of Follies Burger on TV. The girls in feathers and fishnets shocked me so much that I drew them in class the next day. My teacher grabbed me and made me do a round of class with the picture taped to my back. But punishment turned out to be the opposite. I wasn’t very popular at school because I wasn’t good at sports, but suddenly everyone wanted me to draw something for them. I realized that I can be loved in my work. So since then, I always dreamed of doing a revue and the time came in 2018 Fashion freak show Appeared at Folies Berger in Paris. I thought about what the theme of this show could be and decided to tell my life story because it is something I know best. I’m not good at writing, so I visualized the situation – I made it into a story. And so I chose his music with Nile Rogers, which has been important to me at different stages of my life. Marion Motin did the choreography and the late Tony Marshall was my co-director. Again, I asked my friends to help me – Rossy de Palma, Catherine Ringer, Line Renaud, Catherine Deneuve… Of course, there is a big room in London and Antoine de Caunes, my friend Eurotrash, appeared.
You are of course known for your classic designs, but you have also made a name for yourself in the world of perfume! What first inspired you to create perfumes?
It was part of my haute couture dream; Christian Dior, Yves Saint Laurent and Pierre Cardin couldn’t find the fame that goes along with it without a good fragrance. Long before it was financially viable, my partner, Francis Menuge, made a mixture of other candy floss and chocolate. I really liked it, it was like a baby aperitif, it was so sweet that once you drink it, it makes you want a second, then a third, a third, etc.
Do you have a favorite scent that you’ve developed over the years? If so, why do you like it? You also have to throw in the scandalous Les Parfums, and the story is full of desire, sexual desire and deception! Would you say these aspects are central themes in your creative ethos?
My classic debut fragrance, which celebrates its 30th anniversary next year, is iconic and still very modern. I was inspired by my grandmother’s abundance of rice flour and her rice pudding. The smell is already mixed with vanilla.
Scandal Les Parfums are generous and extravagant; Caramel is the common ingredient of women and men… an addictively sexual mille-feuille. Each fragrance is associated with emotions, more than clothes. The fragrance is leather. I’ve always wanted to have fun with my creations, play with subtleties and appearances, and transcend traditional codes. My 1985 collection of men’s dresses, the iconic Madonna corset in 1990 b Yellow wish Tour, Naomi Campbell’s Topless Catwalk in 2002 and more. Beautiful voluptuous women with curves, ethnic women, androgynous women. I don’t want to just have a specific image of a woman in my shows, I want to present what she really is. And it’s the same for men. I also like to show attitude.
They also chose Parker Van Noord and Iman Hammam as the faces of the fragrances! What makes them a good fit for this campaign?
Parker and Iman are the perfect modern couple; It is a story about desire. Her, unmatched fists and endless legs. He, Torrid Dimples. It’s a love match.
It’s no secret that you’ve worn some of the biggest style icons of the zeitgeist, including Madonna, Rihanna and Kim Kardashian. But I want to know, who would you refer to as the ultimate muse?
When I design, I think of different women, I don’t like to limit myself to just one banana. Of course, during my relationship with Madonna Yellow wish The tour will always be in my heart because we understood each other and were on the same wavelength.
And finally, I want to know, what do you hope your future holds?
I hope for many wonderful things. I look forward to the new collaboration at Couture in January, but I expect you to hear more about the many other projects I’ve started soon.
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