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Beyond Disney Desire – In some ways, Disney Wish’s ship feels smaller and more like a floating theme park.
She started her opening voyage on June 29 with the feeling that I was on board, with many character interactions, immersive exercises, and diligent aspects.
As they entered the Mangoth Grand Hall – the equivalent of the ship’s entire “magic” theme was fully exposed, and in real life Razunzel greeted guests from a small balcony. The Cruise Line seems to have been created for the purpose of the action and character features of the story-inspired space of the first atrium stage.
The bright and airy Grand Hall is certainly one of Disney’s four other ships – magic, wonder, dream and fantasy – all of which show the most traditional aspects of art deco or art Nouveau.
The adult-only Star Wars rescue hyperpsis lounge has a “window” behind the bar that offers views of planets and ships from Star Wars Universe views. Photo credit: Christina Jelsky
But if such unique design styles did not help to tie the knot, I was curious to see how effectively the quest could marry a variety of French flawless fashions such as Frasen, Marvel and Star Wars.
The ship hits the mark on the front and uses small details to make it easy to move from one theme to another. When one enters the Arendelle: A Frozen Dining Adventure, for example, an extra long corridor with snow-covered, snow-covered ports, and the Nordic-inspired dining and stage area have major features.
And the line calls Wish’s AquaMouse “the first Disney attraction at sea”, incorporating animated video clips into the water cast and creating a more Disney-style narrative, among other new concepts such as Marvel Worlds “Cinema Dining Adventure” and Star Wars Land Hyperps Lounge. They are a kind of attraction by combining special effects, video technology and, in Marvel’s case, views from Ant-Man and Wasp.
Thanks to such highlights as the animatronic Olaf, the charming elements that go from table to table and occasionally to Disney’s magic are on display at the Arendle Dinner Theater.
The New Orleans theme bar is packed with magnolia and lily pads. Photo credit: Christina Jelsky
Disney’s magic reappeared
The difference between Desire and former Disney ships goes beyond vision and technology.
One of the biggest changes is the layout of the ship, which is very different from the current ships. The reorganization general manager, Alastir Black, said the ship had two main elevator banks and three other ships.
“This will help the flow of traffic, especially the Grand Hall, and this will allow us to use the Grand Hall as a place of recreation,” he said. “It’s a big rethink.”
Other changes are intended to help guests learn more. Slides that drop children directly into the ocean club, for example, are designed to allow families to unload their children conveniently. .
Disney Worlds of Marvel calls the restaurant a “cinematic dining adventure.” Photo credit: Christina Jelsky
For travel consultants who want to plan the ship’s floor and see new attractions in person, there is good news. According to Javier Moreno, senior vice president of sales, services and events at Disney Destinations, the cruise ships will resume “very soon” from the start.
Meanwhile, long-time loyalists of Dini Cruise Line, who are concerned about the many changes, can be sure that despite the new look, they still have a lot of signature offerings on the line.
State units, for example, are specially designed with injection beds and overlapping beds to help families grow space during the day and accommodate more heads at night.
Similarly, Desire Disney is home to many live entertainment. During the opening night of the three-night voyage, “The Adventures of Disney Seas,” we took a look at Gofin’s new musical performance with other Disney characters, as well as the ship’s stage adaptation. Little Mermaid, a bubble-filled auditorium that showed the meaning of “under the sea” to delight the people.
Characters abound in Disney’s new fantasy. Photo credit: Christina Jelsky
According to Sharon Siski, senior vice president and general manager of the Disney Cruz line, the key to achieving the right balance between creativity and ambition was the key.
“The goal was to remain an integral part of what we offer our guests, work to enhance and improve experience, and create a consistent experience on our ships,” Siski said. “And I believe that what they expect from our guests and what it means to travel on a Disney trip doesn’t matter. For them, it’s basically spending time and gaining experience with family.”
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