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Paris – What’s so shocking now?
There may be many answers to the question, although a few, perhaps, are related Fashion. The fact is that a long time ago, clothes were worn as an eternal wonder.
They are still flying in front of you. Jewelry Museum According to Louvre, the first full season of 2020, “Shock! The world of Elsa Siapareli Suril.
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The announcement of the new exhibition was also to remind him that at one time he was confused about clothes.
That once Fashion It can relieve viewers of their pain or suffering; Challenging agreement; Let them reflect and reflect only with the sparkle of the flesh, the amazing construction, the incredible idea of the body and what it is about.
In an increasingly extreme world, truth is a fungible concept and since the crisis seems normal, that time seems practically absent: a piece of a museum, more than one way.
Even in the kitchen, that Designer The laboratory is free of restrictions because it is designed to order very few.
So what is shocking now? Siapareli’s creative director, Daniel Rosebury, had the following answer: “Beautiful things. Sometimes, in the face of overwhelming external circumstances and unrelenting frustration, he pointed out, it is enough to dazzle with joy; To present the ability to dream. Although slightly exaggerated. It’s not about day clothes, boy.
The current models will feature the 2022 Paris Fashion Show Shiaparelli, couture, fall 2022 fashion show. (Valerio Mezzanotti / The New York Times)
Gold is about a hat that looks like a whole field (but the ostrich feathers are burnt). Black velvet Cocktail Fluffy bud tulip or swaying under a satin wave; A dress made entirely of jewelry with a necklace. It’s about a discussion.
Chat! Think of it that way. It’s really kind of a Extremist Thoughts. (More radically, anyway, rosemary is also sprayed throughout the show, rather than empty breasts, which at this point seems to be a no-brainer.) And it has to start somewhere.
“We must continue to be cruel and truthful when our hearts are severely tested (in the news and in secret)” couture Brand name but Couch-next). “Cruel and real” really round upMostly referring to the efficiency of the materials and the touch of the hand.
One day, in a raw material at Alaya’s store, the collection was made of body cloth – with a stretched silk and sweater, sometimes wrapped in a handkerchief, and a ruffled oversized hem. Coma cream skirts squid and “shelter here” coconut Coat.
Rough-skinned skins, some crisp white shirts (with a hat) and, at the end, a skirt hanging from the waist up to the waist, down to the back of the cow. Exposure The twin pieces below are empty above the thigh. Cheek. And perhaps the way forward for a hereditary home.
As it turned out, Muller brought the entire Atelier to watch the show, which is turning into a cochlear trend. Designers acknowledge that they are not alone – zones. Another kind of shocking development.
“Fashion has a great opportunity to create a bridge between people and people,” said Maria Grazi Chiuri in her pre-Dior show. Support Connect with each other and be open. It’s a great platform, and we should use it.
Increasingly, she uses it to expand the meaning and ethics of dress, connecting it to traditional traditions. International handicrafts – This time by the work of Ukrainian artist Olesia Trofymenko, the designs combine classic-sewing techniques and painting. Starting with Trophimonko’s “Tree of Life,” Chiuri has designed her own design, including her own dresses and gowns, boxing gowns, and a Menor gown lady.
This is what Marie Antonnett might have done if she had changed her shepherd’s dress with Le Petit Trianon and the sharing of power for a happy history. Of Colors They were subtle (Ikru, white, black, some red) and so was his advice. This does not make it less noticeable, nor does it make the result less beautiful.
Iris van Herpen brought the point home, but she celebrated her 15th anniversary and returned to the show for the first time in two years. Her relationship is at the heart of her work, but her theme is the past and the future: how you take on old art and make it useful for tomorrow; How to get to the point of communication between them Nature and technology.
She called her collection Meta Morphism, citing both metaphors; Fashion Recent breakdown, and the stories of Ovid’s Metamorphos, Daphne and Narcissus. The result was a positive confirmation that a designer would free us from borders. Physical world And show us how to dress on a digital scale (perhaps a couch is not only visible to the masses, but also worn by Van Herpen).
She is working differently. Of language More than any other designer and completely different tools, including 3D printers and laser cutters, so her clothes look like clothes (mostly) but organic life shapes: butterflies and Venus flytraps are wind-blown and vibrating threads around the body. A hand gesture, mixed with ancient mythology, wearing a three-dimensional ribbon to look around and admire the faces of the coat and gown. Rewrite the physics of clothing and think again without deleting the body, never by cardboard. Persuasive Road.
This gives us hope for the future. In both real and imaginary worlds. Which could be the most Really The most shocking thing.
This article first appeared in the New York Times.
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