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I know his feelings. While I was browsing, serotonin struck my bloodstream. It’s one of my favorite pastimes, scrolling through e-commerce and heel-to-heel rental sites, or gorgeous tunics and feather-covered media for real and imaginative future events. And this special purchase makes no difference. The dress arrived and it was a trip. The coat is perfect; The bottom skirt drips into deep layers of tulle. The half-breastplate has zendaya air in the melted-gold Lowe at the Film Women’s Awards. I look like a queen. It is appropriate to consider the choice of ‘Intergonal Royal Dress’. Of course, if I had known that my legs would be visible, I would have adjusted them differently. You see, this dress is not true. I brought the dress to Virtual Atelier Dressx, sent me a photo of myself, and someone put the dress on my body and returned it to my inbox. Its fabric is pixels, not tangible. But in many ways it is wonderful.
This is not my first flirtation with phygital fashion – where the physical world blends with digital elements – or with metavers fashion. I am a millennial and digital-born journalist, so my experience at AR has passed the Prada ‘Current Sense’ Instagram screen. I was never a player, but not because I didn’t find the idea interesting. On the contrary – when I was relatively young, I quickly realized that I was addicted, so I was addicted to cigarettes and alcohol. But, many times, I dip my finger in the game world and admire the power of choosing your player. When you have a lot of scams, one day out there with a leopard-printer banana loader; Silif with Royal-Blue Chiffon Train to reflect your beauty and status. Appearance in the imaginary world is like a physical emblem. Plus, because customization opportunities are endless.
Even if we do not know it at all, we all move easily between digital people. We dress up for grammar, conduct group meetings or videotapes for our friends in Dubai and if we choose to be a potato head, we wear AR earrings or blur the background, we are all. Making decisions about how to prepare ourselves online.
As I delve into the various fantasies, my relationship with digital fashion is complex. I have worked in luxury fashion magazines for a long time and I love clothes. The weight of the cranoline dress (yes, I own it) is amazing. Encouragement pants are my belief system. And every time I’m lucky, I admire being a haute couture artist. Maybe I’m in the middle of a generation where the charm of the digital world can’t be resisted, but there are still doubts about immersion.
But as we begin to spend more time in virtual environments, using everything from front-end filters to pixel ‘wearables’, what’s next? Some, like Ziqi Xing from the digital-fashion lab Xtended Identity, think of a future where everything is physical or imaginary, including a pair of glasses. But this seems too far-fetched. Dresks Natalia Modenova and Daria Shapovalova tell me that there is a better chance of ‘decentralization’, that our physical condition is only one aspect of our identity, and that our avatar dog in Ballenga hat in Fortnit may be different. , Equal weight, the total part.
From a fashion standpoint, I’m on board. I know I have the opportunity to get designer clothes when most people don’t have the opportunity or the technique. And if imaginary costumes bring democracy, the cost of buying your dream designer Bolgon is very low (I only bought 26 26), perhaps a model may be a reflection of your best sartorial identity. For those of you who believe that digital clothing can be equated with ‘real’, I offer you the art of making a unique fantasy dress no less impressive. From IDE designs and experimental texture packages to 3D modeling (equivalent to a dress maker) and presentation, it is a complex process. Luxury fashion brands such as Gucci, Iris van Herpen, Dundas and Coach have enlisted the help of virtual-world virtuosos, including Republike, Dressx, GATE and Rook Vanguard, to produce their meta designs. There are also digital stitches, such as scotomalab, that are dedicated to making majestic fabrics.
It is also more suitable for the planet to live our serial fantasies online. According to Daniel Loftus Instagram, a virtual-fashion influencer, “no material was damaged while making these photos.” And Modinova emphasizes that if a digital dress is as emotional to the wearer as it is to me, it is not ‘real’.
After all, there is one inevitable innovation that will stop me on my way: the creation of digital twins or digital passports for all our physical clothing. For tech companies you don’t know, they’re working on a way to turn all of our physical fashion items into NFTs – not in the sense of digital art (your relationship with the word) but every real product comes out. It is an imaginary ‘twin’ with undisclosed and incoherent information stored in the blockchain indefinitely. By scanning the smart chip or QR code on your designer blazer, you can get a complete series of data for just that particular item, such as makeup and where it was produced in the world. You own it in your digital wallet and transfer it from the digital twins you sold to the new owner.
Major brands are embracing the idea, which shows hope. We may end up spending 4 1.4 trillion a year on fashion fax. Bottega Veneta has introduced NFC (near-field communications) tags in its portfolio for this purpose, which has put digital twins at a distance. Brightling watches have full digital passports that work on Blockchain, which can tell you about watch care requirements and allow you to see future resale prices. Digital TNFs may be able to monitor past repairs, learn responsible responses, or verify that Madonna once owned this coat. There are some ‘just for fun’ ideas in the idea. to the.
But despite all this innovation and usefulness, I worry about what we will lose. It seems to me that the price of each item is immortal according to a set of criteria, including age, Proven ፣al, renovation and reselling. By permanently attaching it to the digital passport, your designer blazer will only be valid for 12 years, and an original clothing bag will be reduced to two stitches. But is our future value in fashion digital always based on cool trade statistics?
What about the more undivided aspects of emotion and our emotional connection to clothing? I Gucci 1955 horsebit shoulder bag; A gift to myself after my baby is born. To mention Radiohead, ‘Everything is in the Right Place’ was a recognition of marketing, finance, partner, child and personal accomplishments. I had a real passion for virtual clothes, but my relationship with this bag could never be approached. Just seeing him creates an indescribable joy. I smile when he reminds me of the goodness of the past few years, even though we are going through difficult times. I can’t put a number on that price; You can’t put those feelings into information. My Gucci wallet online passport says that the price of the spaghetti has been steadily declining because I was overwhelmed by spaghetti overnight. It is impossible to say that this is the emotional level of my life in the form of a purse.
I have Grandma’s Green Velvet Jacket. She was an actress, and I had visions when she stepped on the boards – and I wanted a spot after the show to betray the parties. I don’t want to know the truth. It is a mixture of memory and thinking that makes it magical. Dressx and Breitling have both told me that blockchain is the future of the future. But I also feel that there is beauty in death. Even if we are talking about a jacket or a bag, it is an important part of the ceremony when you taste the last breath.
There is ingenuity and practice in digital fashion. I support the idea that the major brands will launch ‘screen clothing’ lines in the same way that they have holiday collections and entertainment. Maybe I can finally buy a saxophone coat. Models are more valuable than allowing us to express ourselves more freely than we sometimes feel we can do in person. Maybe I’m recording this idea of decentralization. But I wonder if the distinction between our physical and digital existence is still important.
Some people are so obsessed with fantasy that they choose to experiment with technology. And, of course, for fashion, digital twins may take us in that direction, each body suit is seamlessly attached to the metaver. But I’m worried, if we do that, we’re going to jeopardize the price of blockchain by denying any meaning to our property. I prefer to think that while living away from the screen, we can sing to ourselves in a wonderful digital fashion fantasy while maintaining our secret and deep personal connection with clothing. You can wear Roblox squirrel Off-White jeans while performing at a virtual concert and then enter the box in the back of the closet to quietly respect your grandmother’s jacket.
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