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While real-life trends tend to influence what the characters wear on screen, the relationship between fashion and film quickly becomes more complex, with film becoming the medium that actually generates trends and has a lasting influence on fashion. A long time ago The devil wears Prada (more than half a century) Funny face It shows the curiosity and tribulations of the fashion industry and the closely intertwined fashion and cinema.
This beauty business’ under-the-belly comedy and fun can be admired for many things: the simple but heartwarming Cinderella story, the wonderful music from the legendary Roger Edens, and of course the stunningly beautiful images and costumes.
Golden Age of Hollywood Musicals Classic, Funny face It’s basically a fashion magazine come to life. The story revolves around Quality magazine editor Maggie Prescott and photographer Dick Avery, “in search of a new model who can think as well as they look,” and thrown into the mix is ordinary bookkeeper girl Jo. Despite the straightforwardness of the story, the director touches with insight an important topic, especially regarding fashion – the dominance of individuality in a perfect image.
why Funny face came to be
Funny face He was mainly inspired by the fashion photographer Richard Avedon and his relationship with his wife of six years, the model and actress Doe Avedon. Richard Avedon, played by Fred Astaire, not only modeled for male lead Dick Avery, but also took an active part in the film’s creation, helping with behind-the-scenes filming and creative direction. Avedon’s humane hand can be recognized in every product, especially in some moments, for example, Think pink! Scene.
Funny face It was already a Broadway musical but had nothing to do with the big screen adaptation that followed. Only the title and title song and four additional numbers were taken from it. But the plot is taken from the libretto Wedding bellswritten by Leonard Gersh, a friend of the Avedons. Wedding bells It was never produced, and Gersh sold the film rights to MGM Studios, which caught the eye of Roger Eden, known as the master of the great and funky musicals. The great Stanley Donen (who also directed Audrey Hepburn Brightly Charade) were invited to make a big screen adaptation.
The film must be seen if only to understand the appeal of the amazing actress Audrey Hepburn. Hepburn plays the singer (from E My fair lady) and dancing herself, let’s not forget her amazing chemistry with Fred Astaire.
Funny face Like a 50s fashion encyclopedia
The story told through the clothes in this film is one of soul-shifting, from the straight lines of Balenciaga to a new look for Dior and the growing popularity of function over smartness. Editor-in-Chief Maggie Prescott b Funny face It was founded by Diana Vreeland, then editor-in-chief of Harper’s Bazaar. By the way, Vreeland herself was upset by the film and forbade even mentioning her name in front of her. Maggie Prescott’s look was inspired by the style of Vreeland’s favorite designer, Cristobal Balenciaga.
It is important to note that Dior did not come up with the new look silhouette, but rather that it made it famous. At the time, almost every designer worked with variations on the new look theme: from Britain’s Hardy Amy, who was appointed as Elizabeth II’s personal tailor in 1952, to the Paquin fashion house.
In the year In the 1950s, the sportswear trend in America was growing rapidly, with practical and relatively inexpensive clothing becoming more popular as opposed to classy and grandiose haute couture. More and more women are opting for comfortable pants and turtlenecks over dresses and skirts. Maybe that’s not too far to say. Funny face It helped make black cigarette pants very fashionable among progressive bohemian girls.
A scene in which Joe appears in all-black Beatnik attire is key. This is, of course, about Joe’s improvisational dance in a Paris underground cafe (the soundtrack was composed by Eugene Loring.) There’s a lot of symbolism in this episode, and we’re reminded once again why Baby Joe was chosen as the personification of the new age of fashion, for his high-flown and often haughty personality. The space for couture is shrinking.
The scene is interesting because at first, Hepburn objects to dancing in white socks because they ruin a full black figure and shorten her legs. However, Donne insisted on socks instead of ballet because it was Hepburn’s only solo dance number and the director wanted the audience to see each movement, not blend into the background. After watching the footage, Hepburn wrote a note to Donne, convinced he was right.
Audrey Hepburn and Givenchy’s platonic love affair
The bold and unique Edith Head (a woman unfamiliar with the word ‘humble’), b unbelievable’ Edna Maude was in charge of the costume design. Funny face. However, in reality, two costume designers were working Funny face Instead of one, the same arrangement in SabrinaFor this, Edith Head won an Oscar, Hubert de Givenchy was not even mentioned in the credits.
Funny face It was the first time he was recognized as the fashion designer who created the costumes for the film, and Vogue rightly described Hepburn’s stunning gowns in the film as one of her greatest Givenchy moments on screen.
Givenchy was named by The Guardian as the first brand ambassador of Hepburn “the elegant master of ugly chic”. When Hepburn approached Givenchy to design her dress Sabrina, he did not accept her invitation but at the end of the day he was in love with her, and a life-long partnership began. Hepburn asked Givenchy to design all her future dresses. Funny faceHe is the only garment in which I am myself.
The end result was, as The New York Times described in their review, “a delightful phantasm of romance, tourism and chic.” Funny face It was both satire of high fashion and heartfelt admiration… while paying homage to the intellectuals of his generation.
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