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Dào dàis, cheongsams, samosus and hanboks are not limited to the New Year.
When Marilyn Strikeland was sworn in in Congress in 2021, she wore a traditional Korean dress called Hanbock.
Actress Kelly Marie Tran, who starred in films such as “Raya and the Last Dragon” and Star Wars Frances, has adorned the 2022 Oscars red carpet with a beautiful emerald io dai, a Vietnamese traditional dress.
The costume designer, Thai Nguyen, told Inside:
Having such an accurate representation on the red carpet can have long-lasting effects. Nguyen dressed in a series of Tran ao dai girls. When she first saw him in the 2021 virtual “Raya” premiere, she immediately took her ao dai from her room. Her mother said she did not want to wear Cinderella’s clothes.
“It awakened me and revived our community,” said Nguyen.
The cultural standard of Asian fashion has been around for centuries
Throughout history, Western countries and luxury fashion houses have modernized Asian cultures with their clothing. That has not stopped in recent years.
Until 2020, the retail small retail website qipaos placed the complete legs under the “Eastern” category.
At a luxury fashion venue, Dolce & Gabbana has canceled the biggest show of its 33-year history as a narrator mocks an Asian model chopstick pizza and canola.
A.D. At the 2003 Christian Dior show, a white model wore a Gesha-like make-up and a balloon, dressed in silk. That same year, Roberto Cavali designed a minivan that would reveal his legs – Kim Kardashian would later wear a plane in 2019.
The history of assembling Asian costumes is long. Silk Road first brought Chinese silk and textiles to Europe from 130 BC. It’s starting. Centuries later, members of the European royal family sought the intricate embroidery of their court robes and gowns. Over time, he invented his own blended beauty.
A story in sewing
Guo Pey became an international name after inventing the 2015 Met Gal gala. Rihanna’s photos of a 16-foot train with yellow and fur-covered skirts dominated the Internet and made the Chinese designer a hot topic.
Payy has spent decades reviving China’s embroidered art – embroidered in the country’s cultural revolution – by sewing threads called “National DNA”.
“The embroidery and skill involved is not only in the process of recovering from the past, but also in conjunction with my own ideas and is also linked to the world of textile culture,” PE was quoted as saying by an interpreter. .
The Rihanna 2015 Met Gala dress weighs 55 pounds. The threads themselves have been embroidered for more than 50,000 hours.
“The Chinese people are full of ideas and spirit, and it’s one of the cultural languages in which I was born and raised,” Pey said.
The symbol of women’s freedom is undergoing a modern transformation
Like Pey, Cheryl Ling draws on Chinese tradition with her fashion label Sao Lee.
“I was inspired to grow up in Hong Kong,” Leung told an insider. “I really wanted to represent my culture and I realized over the years that I don’t see it anywhere.”
Leng emphasizes that there are other retailers that create traditional cheongsams – a close-fitting style of clothing that became a symbol of women’s freedom in Shanghai in the 1920s – and wanted to “add cheongsam elements to international designs.”
Chengsa is one of the most appropriate traditional Asian costumes. Therefore, Ling says that it is important to avoid misinterpreting her designs.
“I didn’t do what I didn’t wear as an Asian woman,” Ling said. The trend is to use a jacquard instead of traditional embroidered silk or to attach buttons to an image that does not match. These state-of-the-art components have become the best-selling products in Saudi Arabia.
“It’s very powerful because these oriental designs are so popular,” Leung told Insider.
‘Code-variable’
Nila Hassan’s brand, Ether, was born to oppose strict cultural boundaries.
Inspired by Hassan South Asia, the brand Kurtas – a loose, loose-fitting dress – brings to everyday, Western fashion.
“This kind of integration comes from examining identity, what it means to join, what it means to be American,” Hassan told Insight.
Hassan returned to the United States after the September 11 events. After she finished school, Hassan said, “Whether I am or not, I have a small tip that I will not give anything.”
She started wearing schoolgirls and jeans, popular among young people in South Asia.
While traditional pride is often simple and boxing, Hassan’s version plays with clothing, silk, high-waisted shirts or completely split sides. One of Hassan’s highlights also included a hidden belt.
Hassan Ozer says she sees it as a “code-changing” way – she says, “Agreeing, disagreeing with space, but we have to choose how we can change our identity in the gaps we have.”
There is no ‘and’ no more.
“One of the few Vietnamese designers in high fashion,” said Nguyen, “proud, proud, proud.” But, just five years ago, he said he would struggle to say the same thing.
After resigning from the BBC, he said he had been arrested for failing to comply with “basic rules” after resigning.
“I wanted to follow my roots,” said Nguyen. “I wanted to put Ao Dain in my collection. And then they say, ‘No, that’s very ethnic. That’s very Vietnamese.’
Now, to name a few, Nguyen has designed dresses like Friends Ariana Grande, Sarah Highland, and Laver Cox.
His Hollywood appearance, Westerners, offer subtle criticisms of áo dai, high neckline, round neckline and full sleeves, long, straight dress.
“The image of the East is associated with Western creativity,” Nguyen said. For Nguyen, áo dai is up-to-date.
“I don’t want people to have that question anymore,” said Nguyen, dressed in an áo dai event.
Updating ‘Grandma’s favorite wardrobe master’
Treexi Chua, co-founder of Dear Samfu, found inspiration in her grandmother’s clothes.
“Ancient Asian women wore it [samfus] “But a lot of it is not very well known,” she told Chuda Insider. “So we decided to focus on the truth.”
“Samfu” simply means shirt and pants. The core of this Chinese fashion is the timeless foundation for the brand. It’s a comfortable version of the “T-shirt and jeans”.
In addition to being simple, Chu said he respects the precious Samfu heritage. The brand is not only innovative but also sustainable. Sustainability, before Chuwa became a verbal term, was practiced by her ancestors.
Katei Liu, an expensive Samfu customer, bought the piece because it was in honor of her Chinese heritage.
“As I get older, I become more accepting of my Chinese heritage.
Liu is posting a collection of her everyday clothes on Instagram – many posts featuring Samfu.
“Over time, I’ve noticed that there is a shortage of such Asian-inspired clothing in the West. And so I want to be able to promote it to other people whenever I can,” Liu said.
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